Ball’s Wartime Camp Scene
By Buck Zaidel Four cartes de visite produced in Cincinnati during the Civil War years reveal how one of America’s most important 19th century photographers used painted backdrops as visual
By Buck Zaidel Four cartes de visite produced in Cincinnati during the Civil War years reveal how one of America’s most important 19th century photographers used painted backdrops as visual
By Buck Zaidel At first glance, the painted backdrop in a studio portrait can seem little more than theatrical scenery—stylized tents, patriotic military elements, and simple landscapes. Yet, these primitive
Confederate images take center stage in this issue. Two years ago, Executive Editor Rick Brown and I spent almost three days making digital versions of the images of Paul Reeder,
By Buck Zaidel Painted canvas backdrops were used by Civil War era photographers to enliven the image, and to place the new warrior in a setting similar to what they
Civil War images speak to us in unique and varied ways. The cover photograph for this issue tells the story of five Union citizen‑soldiers who belonged to the same mess,