Reflections on Generative AI
The emerging genre of historic photographs brought to life through AI touched me personally when an image in my collection appeared on the YouTube channel History in Motion. I watched
Tag: 19th century photography
Ready for His First Fight
Armed with a Bowie knife in one hand and single-shot pistol hanging from a holster on his hip, this Southron wears a crisp wool jacket and shows off his tinware:
Collector and Mentor: Seven decades after he began his Civil War journey, Karl Sundstrom continues to inspire
Introduction by Austin Sundstrom, with images from his Uncle Karl’s collection Some of my earliest memories of my uncle, Karl Sundstrom, revolve around visiting his house in the town just
Applying the “Trinity” to ID Some Faces in a 557-Image Album in the National Archives
By Kurt Luther Civil War photo sleuthing is more than just giving a name to an unidentified soldier or sailor portrait. While a name is a critical clue in rediscovering
Cruising the Potomac and Elsewhere with Brig. Gen. John P. Slough’s Brigade Band
By Ronald S. Coddington, with images from the Mark Jones Collection On an April day in 1864, in a field near Alexandria, Va., thousands of soldiers and civilians gathered to
The Model 1805 Harpers Ferry Pistol
By Frank Graves The man pictured in this daguerreotype holds a U.S. Model 1805 Harpers Ferry .54 caliber flintlock pistol. A little more than 2,000 pairs were manufactured from 1806
Campaign Tableau?
A Confederate captain, carrying a holstered sidearm, sits on a crude chair and table fashioned from a tree trunk. Part of the trunk is artfully placed on top of the
A New Book Celebrates the Carte de Visite
Since their debut in the mid-1850s, paper cartes de visite have been largely relegated by critics to a secondary status behind the earlier, commercially successful photographs on silver, glass, and
Fastening Buttons on the “Opposite” Side
By Jack Hurov The Summer 2024 issue of Military Images magazine featured Evander M. Law and his staff on the cover. Current evidence suggests the half-plate ambrotype was taken by
The Military Backdrop of the Moore Brothers in Hartford, Conn.
By Adam Ochs Fleischer This column is the first to investigate a backdrop used in Connecticut during the Civil War. Despite its small size, the “Nutmegger” state made a significant