Turning the Tables at Laurel Hill
By Scott Valentine First Lt. and Acting Adjutant Orett Lyman Munger and his comrades in the 44th New York Infantry rushed to capture, along with the rest of 5th Corps,
Tag: Civil War photography
A Confederate Artilleryman, a Quintessential Yankee, and a Soldier of Unknown Loyalty
A Confederate artillery first lieutenant posed for this portrait in the Richmond gallery of Charles Ricard Rees. The color tinting and signature at the base of the column are hallmarks
Campaign Tableau?
A Confederate captain, carrying a holstered sidearm, sits on a crude chair and table fashioned from a tree trunk. Part of the trunk is artfully placed on top of the
Identifying a USCT Officer Connected to Two Pioneering Civil War Women
By Kurt Luther When MI Senior Editor Rick Carlile approached me to help identify a carte de visite of a seemingly unremarkable Union officer, I did not expect that this
A Portrait in a Clock Pendulum Bob and Other Distinctive Images
This portrait in a portrait of two unknown soldiers leaves one to wonder the nature of their relationship. Father and son? Brothers? Uncle and cousin? Professor and pupil? Though their
The Assassin’s Vision
The cover sheet in the Library of Congress of composer Joseph W. Turner’s “The Assassin’s Vision” cites an illustration as his inspiration: “This ballad was suggested on seeing the representation
Mississippi, Maynards, and Men. The Maynard Carbines of the Bolivar Troop
By Phil Spaugy The images of these early war, well-armed sergeants once resided in the Herb Peck collection, and have been reproduced in many publications over the last 60 years.
The Black Phalanx at Benton Barracks: Transforming men of color into U.S. soldiers, late 1863 to early 1864
By Ronald S. Coddington An officer in the 1st Missouri Colored Infantry recalled how recruits for the new regiment marched with “sluggish step and plantation gait” through St. Louis in
The Colt Model 1860 Army Revolver
By Bill Thompson, with artifacts from the author’s collection Samuel Colt sold more Model 1860 Army revolvers to the government than any other gunmaker’s revolvers during the Civil War. About
The Military Backdrop of the Moore Brothers in Hartford, Conn.
By Adam Ochs Fleischer This column is the first to investigate a backdrop used in Connecticut during the Civil War. Despite its small size, the “Nutmegger” state made a significant