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Harper’s Weekly Needed an Image of Wallace’s Zouaves. They Commissioned This One.

By Ron Field, with an albumen print from the Rick Brown Collection of American Photography. 

The Harper Brothers. Glass plate negative by Mathew B. Brady of Washington, D.C. Library of Congress.
The Harper Brothers. Glass plate negative by Mathew B. Brady of Washington, D.C. Library of Congress.

The illustrated newspapers of the Civil War period, including Harper’s Weekly, Frank Leslie’s Illustrated Newspaper, New York Illustrated News and Southern Illustrated News, depended on photographers and sketch artists to provide images, and engravers turned them into woodcut illustrations. To meet weekly deadlines, the engravers worked in teams, each engraver assigned to a two-inch wood block, with a master engraver fitting the finished blocks together and making final edits.

Nowadays, we refer to such photos as art references. Portraits of prominent persons in the news were often based on photography, and the New York Illustrated News even produced a regular supplement, Portrait Monthly.

So many photographs were being submitted to Frank Leslie’s by June 1861 that the editors published advice stating they would be much obliged to their “photographic friends if they will write in pencil the name and description on the back of each picture, together with their own name and address.”

Photographed in camp near Evansville, Ind., during May-June 1861, Wallace’s Zouaves drilled with sword bayonets fixed while “rallying by fours” to guard against cavalry. A regular part of Zouave drill demonstrated by the United States Zouave Cadets under Elmer E. Ellsworth during their tour in 1860, this formation was seldom, if ever, used in combat during the Civil War.
Photographed in camp near Evansville, Ind., during May-June 1861, Wallace’s Zouaves drilled with sword bayonets fixed while “rallying by fours” to guard against cavalry. A regular part of Zouave drill demonstrated by the United States Zouave Cadets under Elmer E. Ellsworth during their tour in 1860, this formation was seldom, if ever, used in combat during the Civil War.

During May 1861, agents of Harper & Brothers visited the camp of the 11th Indiana Infantry, or Wallace’s Zouaves, near Evansville, Ind., and produced a series of albumen photographs. As a result, five engravings based on these photographs were published in Harper’s Weekly on July 20, 1861. Two show the Zouaves at their leisure, while three depict them at drill. An albumen on which one of the latter engravings was based, survives today and shows the whole regiment with fixed sword bayonets “rallying by fours” to guard against cavalry.

Zouaves in action: Published in Harper’s Weekly on July 20, 1861, three engravings—two in the center and one below—depict Wallace’s Zouaves in various formations. Accompanying text notes the images were created “from photographs sent us from the West,” adding, “The illustrations of the drill and manœuvres—from photographs—are quite striking.” Two more engravings, at the top of the page, were sketched by James Farrington Gookins (1840-1904), a musician in the 11th.
Zouaves in action: Published in Harper’s Weekly on July 20, 1861, three engravings—two in the center and one below—depict Wallace’s Zouaves in various formations. Accompanying text notes the images were created “from photographs sent us from the West,” adding, “The illustrations of the drill and manœuvres—from photographs—are quite striking.” Two more engravings, at the top of the page, were sketched by James Farrington Gookins (1840-1904), a musician in the 11th.
“Rallying by Fours,” is based on the photograph. The illustrator used artistic license to create a single, well-composed group of Zouaves. The other views were likely inspired by other photos commissioned by Harper & Brothers and currently lost.
“Rallying by Fours,” is based on the photograph. The illustrator used artistic license to create a single, well-composed group of Zouaves. The other views were likely inspired by other photos commissioned by Harper & Brothers and currently lost.

The focus of the Harper’s engraving concentrates on those Zouaves at center right in the albumen, and raises a question about the uniform they are depicted wearing. As well publicized, the 11th Indiana wore gray jackets, caps and trousers, with red trim. Yet in this engraving they wear dark-colored jackets. This may have been due to the fact that most Civil War Zouave units wore dark blue jackets and the engravers assumed the same of Wallace’s Zouaves. Alternatively, it may have been influenced by growing public concern that gray was the color predominantly worn by the Confederate army, and incidents of friendly fire on gray-clad Union troops at Big Bethel and First Bull Run increased these concerns. This would ultimately lead to the issuance of a War Department Circular on Sept. 23, 1861, ordering that no further Union troops be uniformed in gray—and maybe the work of the Harper’s engravers helped bring this about. 

Special thanks to Phil Spaugy.

Ron Field is a MI senior editor.


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